Archive for March, 2010

Child emperor of China ancient

Friday, March 26th, 2010

The Emperor of China refers to any sovereign of Imperial China reigning since the founding of China, united by the King of Qin in 221 BC until the fall of Yuan Shikai’s Empire of China in 1916. When referred to as the Son of Heaven, a title that predates the Qin unification, the Emperor was recognized as the ruler of “All under heaven” (i.e., the world). In practice not every Emperor was the holder of the highest power of his land, though this was largely the case.

In China ancient, there are some young emperors, now introducing someone of them.

Liu Gong, also referred to as Emperor Qianshao of Han, was the third emperor of the Han Dynasty in China. He was a son, likely the oldest son, of Emperor Hui, likely by a concubine — although there is some controversy on the subject — and adopted by Emperor Hui’s wife, Empress Zhang Yan. At the instigation of his grandmother, Empress Dowager Lü, Empress Zhang had Emperor Qianshao’s mother put to death.

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Very little about Emperor Qianshao’s life and personality is known. There are only a few major important events in his life that are documented (which does not even include the year of his birth). In 188 BC, his father Emperor Hui died, and he, who had been previously created Crown Prince, succeeded to the throne. However, his grandmother, now Grand Empress Dowager Lü, publicly presided over all government affairs.

Emperor Qianshao, considered to be a mere puppet of Grand Empress Dowager Lü, is often omitted from the official list of emperors of the Han Dynasty.

Emperor Shang (695 or 698 – September 5, 714 , also known as Emperor Shao, personal name Li Chongmao, was an emperor of the Tang Dynasty of China, ruling briefly in 710.

Li Chongmao was the youngest son of Emperor Zhongzong, born to one of Zhongzong’s concubines. As of 710, Empress Wei and her daughter Li Guo’er the Princess Anle were exceedingly powerful, but Li Guo’er was unable to convince Emperor Zhongzong to have her created crown princess. Empress Wei, meanwhile, wanted to become “emperor” like Emperor Zhongzong’s mother Wu Zetian, and traditional historians believed that she and LI Guo’er poisoned Emperor Zhongzong in July 710. Empress Wei then arranged for Li Chongmao, then the Prince of Wen, to succeed Emperor Zhongzong as emperor, hoping to control the young teenager as empress dowager and regent.

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Empress Dowager Wei’s plans, however, were foiled when Empress Zhongzong’s sister Princess Taiping and nephew Li Longji the Prince of Linzi launched a coup less than a month after Emperor Shang’s enthronement. Both Empress Wei and Li Guo’er were killed during the coup, and on July 25 the young emperor was forced to cede the imperial throne to Li Longji’s father Li Dan the Prince of Xiang, a former emperor (as Emperor Ruizong).

Li Chongmao, who had been emperor for only 17 days, was reverted to a princely rank and sent away from the capital Chang’an. He died four years later without having returned to the capital. Immediately after his death, Li Longji, who had by then succeeded his father Emperor Ruizong (as Emperor Xuanzong), restored Li Chongmao’s imperial dignity and gave him the posthumous name Shang which literally means “died at an early age.” Li Chongmao is also known in histories as Emperor Shao, which literally means “the young emperor.” Most traditional historians do not consider him as a legitimate emperor and do not include him in the list of emperors of the Tang dynasty, although modern historians usually do.

Emperor Shunzong of Tang , personal name Li Song, was an emperor of the Chinese Tang Dynasty. He was created crown prince in 779 and became emperor in 805 after the death of his father Emperor Dezong, of whom he was the oldest son. His reign lasted less than a year, as, due to his illness, the powerful eunuchs were able to get him to approve a transfer of the throne to his son Li Chun, who took the throne as Emperor Xianzong. Emperor Shunzong was honored with the title of Taishang Huang (retired emperor). He died in 806, with some later historians suspecting that he was murdered by the eunuchs who arranged for Emperor Xianzong’s succession.

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During his short reign, Emperor Shunzong and his close associates Wang Shuwen and Wang Pi employed individuals such as Liu Zongyuan, Liu Yuxi, Han Ye, and Han Tai, in trying to reform and rejuvenate the administration. His reforms, intended to strengthen imperial power over regional warlords and eunuchs, were later known as the Yongzhen Reformation, named after his era name of Yongzhen. While Emperor Shunzong’s associates lost power after his yielding of the throne, Emperor Xianzong’s subsequent reign was known for its reassertion of imperial power.

Unusual coins

Friday, March 26th, 2010

There are many kind of coins in this words.In the German language there are many quite remarkable names for coins which have a story to tell. Many of these names refer to their method of manufacture, or the image on the coin, while others refer to specific occasions or faults in the ruler’s government.

Coin Names Referring to the Method of Manufacture

Lined (”gefuetterte’) coins: This is a name for coins which have a core of copper or bronze beneath their gold or silver surface. Often these are not forgeries but coins so ordered by the government. They are also known as subaerati and are specially to be found among Roman denarii of the first century AD.

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Sandwich coins: These coins are manufactured in various strata, e.g. Federal German 2DM and 5DM pieces. The material, known as magnimat, consists of cupro-nickel on the surface and a magnetizable nickel core. This composition makes a coin suitable for use in coin machines.

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Gun money: This does not mean “money for guns” as one might think, but refers to the material from which the coins were made, namely gun-metal. Gun money was minted in Ireland (1689-91) under James II.

NAZI GERMAN 7 COIN SET

This set consists of the seven lower denominations of Nazi German coins each showing the eagle and swastika. The 1936-1939 issues include the 1, 2, 5 and 10 Reichspfennig made from copper or aluminum-bronze alloys. In 1940 the 1, 5 and 10 Reichspfennig were switched to zinc and the 2 Reichspfennig was discontinued due to the war. All eight coins grade VF or better, though the zinc coins may show some spots as zinc spots very easily. The coins all feature the denomination on one side and an eagle holding a swastika on the other.

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Japan introduced this 10 Yen Military Note in 1938 for use in the areas of China that they had occupied. The note was created by taking partially completed Japanese homeland notes and overprinting them on the front and back with four large red characters that read “Military Note”. In 1940 the Military Notes were replaced by notes issued by the Japanese puppet banks in China, however the Military Yen continued to be used in Hong Kong and Hainan Island throughout the war.

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Traditional Chinese medicine

Thursday, March 25th, 2010

In theory and practice, traditional Chinese medicine is completely different from Western medicine, both in terms of considering how the human body works and how illness occurs and should be treated. As a part of a continuing system that has been in use for thousands of years, it is still employed to treat over one-quarter of the world’s population. Since the earliest Chinese physicians were also philosophers, their ways of viewing the world and human beings’ role in it affected their medicine. In TCM, both philosophically and medically, moderation in all things is advocated, as is living in harmony with nature and striving for balance in all things. Prevention is also a key goal of Chinese medicine, and much emphasis is placed on educating the patient to live responsibly. The Chinese physician also is more of an advisor than an authority; he or she believes in treating every patient differently, based on the notion that one does not treat the disease or condition but rather the individual patient. Thus two people with the same complaint may be treated entirely differently, if their constitutions and life situations are dissimilar. Disease is also considered to be evidence of the failure of preventive health care and a falling out of balance or harmony.

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There is some confusion in the West about the fundamental philosophical principles upon which traditional Chinese medicine is based—such as the concept of yin and yang, the notion of five elements (wood, fire, earth, metal and water), and the concept of chi—yet each can be explained in a way that is understandable to Westerners.

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Yin and yang describe the interdependent relationship of opposing but complementary forces believed to be necessary for a healthy life. Basically, the goal is to maintain a balance of yin and yang in all things.

The five elements, or five-phase theory, is also grounded in the notion of harmony and balance. The concept of chi, which means something like “life force” or “energy,” is perhaps most different from Western ideas. TCM asserts that chi is an invisible energy force that flows freely in a healthy person, but is weakened or blocked when a person is ill. Specifically, the illness is a result of the blockage, rather than the blockage being the result of the illness.

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Besides these philosophical concepts that differ considerably from infection-based principles of medicine and health, the methods employed by traditional Chinese medicine are also quite different. If allopathic Western practitioners could be described as interventionist and dependent on synthetic pharmaceuticals, TCM methods are mostly natural and noninvasive. For example, where Western physicians might employ surgery and chemotherapy or radiation for a cancer patient, a TCM physician might use acupuncture and dietary changes. TCM believes in “curing the root” of a disease and not merely in treating its symptoms.

Another major difference is how the patient is regarded. In Western medicine, patients with similar complaints or diseases, usually will receive virtually the same treatment. In TCM however, the physician treats the patient and not the condition, believing that identical diseases can have entirely different causes. In terms of the principles upon which it is based and the methods used, traditional Chinese medicine, therefore, is considered by many in the West to be a radically different system of healthcare.

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Chinese sculpture

Thursday, March 25th, 2010

Stone carving

Stone carving is one brilliant page in Chinese cultural and civilization history. Due to nature’s inconceivable works and mankind craftmanship our predecessor had left behind for us the historical seal, which enhance the appreciation, admiration and sensation that follow the locus of beauty.

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The Chinese stone carving consists of various kinds, it is difficult for us to introduce all kind of works in this brief introduction. The four significant kinds of stone carvings which are prominent in the Chinese stone craving history, are the following: QinTian stone carving, ShouShan stone carving, ChangHua stone craving and BaLing stone carving. Apropos of the natural stone carving is more intricate, no one can accurately calculate how many kinds of nature stones are out there. Furthermore, each individual’s viewpoint of beauty is different we can only introduce merely the facture’s knowledge which could help you to make the right choice when facing the work of Chinese stone craving.

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The wood carving

The Chinese wood carving contained two branches: wood carving of art, and wood furniture sculptural.

The wood carving of art is an old-line art in China; it can be traced back to the New Stone Age. Our ancestors mad the articles for daily use with the simple stone tools, and the primitive art of wood carving accordingly appeared. Although wood works were hard to be preserved, especially after thousands of years, we are handpicked some of them, in order to give you a contour of this storied arts of China.

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At mention of wood furniture, there are also tow parts: reproduction of Ming style; and the modern padauk furniture. The Ming style furniture is adored by more and more people all over the world by reason of its sententiousness, liveliness and idiographic rondure. That is the reason why Ming style furniture occupied a very important place in the worldwide furniture history. Full together the ancestral workmanship and contemporary aesthetics, the modern rosewood furniture is created a new fashion that we could enjoy and have further choice.

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