Posts Tagged ‘Chinese. Porcelain’

Chinese Porcelain

Friday, July 2nd, 2010

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Chinese porcelain has always fascinated the world. It is a very old material which is considered a type of ceramic and was previously used to make different kitchen plates including dishes, bowls, cups while nowadays it is also used for modern uses including as bathroom tiles, sink and so on. There are several types of Chinese porcelain and each of them has a long, interesting history. There are hundreds and thousands of Chinese porcelain wares, but some of them are more important. A ware is a group of pottery, in this case ceramics, which are manufactured in similar methods.

Sancai is a Chinese porcelain ware which in its original language means three colors. But despite having that name, back in the past more than three colors were used to produce this type of pottery. This ware was created by firing kaolins and fire clays. There still are some antique dishes made off this ware and they are carefully saved because they are very fragile and expensive. Another important ware is the Ding one which was produced in the Chinese city of Chu-yang, close to Beijing. It has a white paste which is then covered with a transparent glaze. The Ding ware was so useful back then that it was also used by the king himself. Jun ware is a thicker ware which is covered with a special purple glaze. This ware was produced in Hunan Province and it was admired by the Emperor Huizong. And later, blue and white wares started to be produced by also using the transparent porcelain glaze. It is called blue and white because it was a white body which is painted on by blue patterns. This porcelain is also pretty old and it was firstly made in the Tang Dynasty which existed from 618 to 907 AD.

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There are also other important wares but these ones were used the most throughout the years. Dishes which are made off these materials are very special because they represent different periods of China but however you must be careful while buying an antique because you might end up buying a fake one.

For more than a thousand years porcelain was one of the most admired products in the world. It played a central role in many cross-cultural exchanges, serving as an artistic symbol across great distances. Historians now believe that the cultural impact of Chinese porcelain has been greatly underestimated. Although there’s a wealth of literature written about Chinese porcelain, the experts in the field, such as historians and archaeologists, rarely consult the publications.

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The dawn of Chinese porcelain has been announced by Shang Dynasty. The porcelain of that day served as a substitute for bronze and other metals, and was greenish in color. Later on, during the Eastern Han period, porcelain technique had greatly improved and the wares given a distinct name in order to differentiate them from a porous, softer earthenware. The new name was “tz’u”, which, later, during the T’ang dynasty, came to mean true porcelain.

Europeans first discovered true porcelain in Chinese blue and white wares of early to mid 1500s. It was love at first sight. Western merchants imported millions of porcelain items, prompting the English critic and writer Samuel Johnson to call it “the contagion of China fancy”. Others called it a “porcelain disease”, an obsessive desire to posses something that seemed exotic. For over a thousand years Chinese porcelain was greatly admired throughout the world, not just in Europe.

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It influenced every ceramic tradition in the world, including Asia, Africa, Middle-East, and South America. Egyptian and Turkish potters combined Chinese porcelain decoration with Ottoman designs; Venetian potters adapted flower patterns from Turkish pottery, while Chinese craftsmen followed the design of Venetian glass makers in porcelain. Later, Mexican potters created their own blue and white flow wares because they wanted to imitate the Chinese. With their stress on simplicity and economy, Chinese porcelain craftsmen are closely related to their poets, writers, and visual artists. They seek to express harmony with the natural surroundings. Chinese artists often have looked for inspiration by withdrawing to remote areas, and these landscapes have become conventional themes of Chinese art.

The art of Chinese porcelain has played a crucial role in bringing the artistry of porcelain to different parts of the world, as well as to different and often seemingly unrelated disciplines (architecture, sculpture, silverwork, etc.) It set forth a novel and creative multi-cultural synthesis that has helped the way the world looks at a work of art.

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porcelain

Thursday, November 12th, 2009

‘When you are a foreigner you can bring something of your own culture to the new country, This is good way for a foreigner to start a business . . . to bring your own culture. This is all typically Chinese.’

We are sitting surrounded by a huge array of bowls, vases, plates and even china pig-shaped porcelain.

I wanted to bring Chinese porcelain here,I wanted to bring the spirit of China to the people. I hope I have done that, yes?’ Judy has been in Finland since October 2006. She met her Finnish husband when she was working in Malaysia managing the production of Chinese textiles. Since June this year, however, she has been attempting to bring exquisite, hand-made Chinese porcelain to Oulu.

‘This is a traditional Chinese porcelain’ she points me to the most impressive pair of vase that they have on sale.

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‘They are 1.8 metres tall, They are hand painted and the painting describes a pond with lotus flowers and carps.’

‘Lotus Lover’

She then stands up and points me towards the calligraphy in the tall vase. ‘There is a Chinese poem here called “The Tale of a Lotus Lover”. It says . . .’ she quickly translates in her head, ‘The lotus lives in the dirty mud but
it is still pure.’ The pair is on sale for 5000 euros and Judy and Wendy hope to sell them to a hotel.

‘I think that they would look very good in a hotel lobby,’ adds she. Though much of the porcelain is far cheaper and there are pots for around 25 euros as well.

Porcelain, also called ‘fine china‘, featuring its delicate texture, pleasing color, and refined sculpture, has been one of the earliest artworks introduced to the western world through the Silk Road. The earliest porcelain ware was found made of Kaolin in the Shang Dynasty (16th – 11th century BC), and possessed the common aspects of the smoothness and impervious quality of hard enamel, though pottery wares were more widely used among most of the ordinary people. Anyway it was the beginning of porcelain, which afterwards in the succeeding dynasties and due to its durability and luster, rapidly became a necessity of daily life, especially in the middle and upper classes. They were made in the form of all kinds of items, such as bowls, cups, tea sets, vases, jewel cases, incense burners, musical instruments and boxes for stationary and chess, as well as pillows for traditional doctors to use to feel one’s pulse.

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The development of porcelain in the Han Dynasty (206 BC – 220) began to accelerate and before long the artworks were introduced westward. Celadon(like the color of jade) and black porcelain wares were the dominant types at that time. Styles of porcelain had formed and differed based on regions by then. The Yue Kiln in Zhejiang Province, which has enjoyed a good reputation for over 2,000 years up to now, produced delicate and hard celadon porcelain; while the De Kiln became the earliest kiln that baked black porcelain.

During the Tang Dynasty (618 – 907), a large number of porcelain wares were in daily use having been substituted for the ones made of gold, silver, jade and other materials. With export, Chinese patterns on these wares also took on more exotic appeal. The Yue and De kiln of Zhejiang Province had features that were the most popular ones, and another one, Xing kiln in Hebei Province was greatly prized for its white porcelain as ‘white like snow’. Kilns baking porcelain for the royalty sprang up producing elegant and dainty works.

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Stepping into the Song Dynasty (960 – 1279), a variety of genres of porcelain appeared and it became a fashion that people showed great interest in purchasing and collecting certain wares suitable to their tastes. Ru, Ding, Ge, Jun and the official kilns had been the representatives of that age. Official kilns advocated concise patterns of decoration; Ru kiln in Hebei Province added treasured agate into glaze so that the color and texture appeared to be uniquely daintily creamy and could be compared with jade. Henan Province had two famous kilns named Jun and Ding kilns. Since the reign of Emperor Huizong who liked art appreciation, porcelain of Jun kiln was kept exclusively for the royal family and common people had no right to collect it no matter how much money they possessed. Since the artisans made their porcelain wares separately, there was no repetition among decorative patterns and colors. Thus this made each porcelain product more precious in its own right. Ding kiln boasted its white porcelain which has a texture as delicate as that of ivory with an adornment of black and purple glaze. Distinctive from the other four kilns which stressed color, this one was quite good at engraving and printing flower patterns. While the Ge Kiln produced porcelain articles with various grains and produced an amount of artworks greater than those of the other four.

Well developed in the Yuan Dynasty (1271 – 1368), the blue and white porcelain (Qinghua Ci), in the main stream of porcelain, was the stylish artistic ware in the Ming and Qing Dynasties and promoted this period to be the most prolific in the field of feudal art. First it painted on the basic body with brush natural cobalt which would be turned blue after being in the forge. Set off by the white glaze and covered by the other level of clear glaze, the blue flowers and other patterns showed their comely charm and were widely welcomed among both refined and popular tastes. With the diversity of cobalt, theme, and style of painting, the blue and white porcelains differed constantly, each being unique.

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As we know, the features of porcelain lie in texture of basic body, color of glaze, decorative pattern, shape and style, while porcelain at that time had sublimed to be at the most elegant. The familiar rose porcelain was another highlight that appeared during the reign of Emperor Kangxi (1653 – 1722). The finished article appears more stereoscopic, colorful, gentle and clean. Nearly all the refined colored pigments were utilized like ancient purple, magenta, ochre, emerald, and so on.

Through the development of 4,000 years, now it is still a brilliant art that ttracts many people’s interest. Collect your favorite porcelain article and place it in your room to enjoy the pleasure of it. The Porcelain Capital, Jingdezhen in Jiangxi Province which has been praised for thousands of  ears,
will be certain to satisfy your esthetic appetite.