Posts Tagged ‘mask’

Chinese mask

Thursday, February 25th, 2010

Chinese masks are legend. The tradition of mask making in China and other Asian countries reflect the religious and culturally rich customs of each specific group of people. From the Buddhist masks of Tibet to the royal masks of Beijing, Asia’s love of masks is abundant. You can get in on this tradition by using Chinese masks in your home. Let us help you find and decorate with some beautiful Chinese masks.

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Before you can purchase any Chinese masks, you have to decide what kind of masks you are interested in. The many different areas of China each reflect a different type of culture. You might choose to buy traditional painted wood masks. Or perhaps you’d rather have a golden dragon mask. The kind of mask you buy depends partly on your budget. Some wooden reproduction masks can cost less than $50; while authentic gold and other metal masks can set you back thousands of dollars.

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Once you decide what kind of Chinese masks to buy, you are ready to shop. For affordable masks you might consider checking out your local import store. Whether it is a chain store, or a smaller low-volume merchant, you should have quite a bit of luck at a store that specializes in foreign items. Or check out a local decorating or furniture store. These places often have reproduction items for sale at reasonable prices.

Now that you have purchased one or more beautiful Chinese masks, you are ready to decorate. There are many ways to use ancient Asian masks in your home. Consider placing a large gold mask in a grand living room or foyer. Add a golden Buddha and some jade and you’ll have a palatial entertaining spot. Or use a wooden mask in a room with neutral colors and fabrics. Either way, your new Chinese décor will thrill all your guests.

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Exorcising masks originated from ancient sacrificial rituals in the Central Plains. The rituals were initially held to drive away ghosts and evils. Later, part of the rituals was evolved into local operas in praise of military deeds and high-ranking officers, becoming popular among the army troops. About 1,000 years ago, exorcising masks, combined with the totem worshipping among ethnic minority groups in the south of the lower reaches of the Yangtze River and traditional sacrificial rituals, formed a mask culture of extensive contents. Ethnic minorities currently using exorcising masks include the Miao, Tujia, Yao, Zhuang, Dong, Shui, Buyi and Maonan etc.

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In the embryonic and initial stages of ethnic operas, masks were widely used in the performances. Later, under the influence of operas of the Han people, wearing masks was gradually replaced by face painting. Masks and facial covers were only used when playing gods, ghosts and animals. But there are still some operas in which masks are completely or partially used, including Tibetan operas popular in Tibet, Sichuan, Gansu and Qinghai etc, the Tujia and Lao ethnic exorcising operas popular in Guizhou, Ground Opera and the Dong ethnic leaping drama in Hunan etc

Tibetan costume

Wednesday, January 6th, 2010

The dancing and singing in Tibetan drama are comparatively simple and some of the singing is like recital. Therefore, costume plays an important role in shaping the characters. Tibetan theatrical costume and ornaments have a strong traditional style and national features.

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No matter what it is, a satin robe, an embroidered Tibetan robe, a headdress or an earring of a noble lady, or an ornament of a monk or a layman, and no matter what texture they are of, gold, jade, jewelry, gem, silver, bronze, shell or turquoise, they are all exquisite and rigorously in accordance with the position and capacity of the figure in the drama.

Even the Buddhist articles in the lama’s hand, chibu in the left hand and delu in the right hand are not to be misplaced. All these are dramatized reality. The costume and ornaments for folk figures in drama are also based on those of the herdsmen, peasants and monks, only dramatized to make them more typical. These costumes and ornaments with their unique features can help create vivid dramatic images on the stage.

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To sing praise of the good and lash out at the evil is the subject matter of traditional Tibetan drama. When such subjects are given romantic expression on the stage, the costume and make-up also show such romantic color. Therefore, Tibetan drama appeals greatly to the Tibetan people.

One of the features of Tibetan drama is the use of masks in make-up. Figures in the prelude all wear a mask. Not only the negative characters wear a mask, the positive characters also do. Like the facial make-up in Beijing opera, masks are used with extreme exaggeration to eulogize or criticize figures in the drama, which is in conformity with the romantic intention of the playwright.

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The artistic effect of the masks is even more prominent than the facial make-up. But on the other hand, masks do not show the expression changes of the performer to the audience. This, however, does not affect the stage effect. The stage acts and speeches of masked performers are all dramatized. The excellent dancing and singing of the performer not only strongly appeal to the audience, they also arouse their boundless associations.

matching set

Thursday, November 19th, 2009

Chinese clothing is ancient and modern, worn by the Chinese people. It has varied by region and time, and is recorded by the artifacts and arts of Chinese cultur. The articles of clothing of past dynasties are one chapter of Chinese long history and culture. They are not only the reflection of the politics and economy of a given society, but also the great contributions for world civilization. An outstanding characteristic of traditional Chinese clothing is not only an external expression of elegance, but also an internal symbolism.

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Each and every piece of traditional clothing communicates a vitality of its own. This combination of external form with internal symbolism is clearly exemplified in the pair of fighting pheasant feathers used in head wear originating in the battle wear of the Warring States period (475-221 B.C.). Two feathers of a ho bird (a type pheasant good at fighting) were inserted into the head wear of warriors of this period to symbolize a bold and warlike spirit. Darker colors were favored over lighter ones in traditional Chinese clothing, so the main color of ceremonial clothing tended to be dark while bright, elaborate tapestry designs accented. Lighter colored clothing was worn more frequently by the common people for everyday and around the house use.

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The Chinese associate certain colors with specific seasons: green represents spring, red symbolizes summer, white represents autumn, and black symbolizes winter.

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The Chinese are said to have a fully developed system of matching, coordinating, and contrasting colors and shades of light and dark in apparel. Today, Fashion designers use a mixture of traditional and modern ideas to create new fashions. These new fashions also incorporate age-old motifs such as guardian deities, lions, and masks of Chinese opera characters. Chinese bronze is another source of printed, woven, embroidered, and applied design for clothes. Some of the distinctive designs include dragons, phoenixes, clouds, and lightning. Motifs from traditional Chinese painting also end up in woven or printed fashion designs.

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